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This is the prologue edition of The First Twelve, only extending a few lines beyond the third chapter in the Book of Revelations in its commentary. However, this takes an unexpected course, as secrets behind the messages of the spectral Christ forMoreThis is the prologue edition of The First Twelve, only extending a few lines beyond the third chapter in the Book of Revelations in its commentary. However, this takes an unexpected course, as secrets behind the messages of the spectral Christ for the angels of the seven churches in Asia Minor are disclosed, explaining what the Door was through which Saint John the Evangelist traveled in astral form. The text demonstrates that otherworldly forces could be communicating in their own language of esoteric symbolism, making an implacable case that the Apocalyptic Era began so long ago, everyone living today was born during one of its episodic stages.The prologue to Revelations with messages to seven churches is analyzed, finding their names relate to chess pieces (a game invented centuries later), and the precise details match elements of the game-fragment around which Lewis Carrolls 1871 classic Through The Looking-Glass is based (the sequel to Alices Adventures Under Ground, conceived during the Golden Afternoon of 4 July, 1862). That year some children saw a candlelit portal during a Marian tableau apparition in the sky over a barn at Pontmain, France, while Prussian troops were stationed in two-thirds of France, Emperor Napoleon III had been imprisoned, and Paris was under siege. A banner relayed her encouraging comments through astral writing- the gigantic Mary focused sadly on her expanding red Crucifix, which grew until the red figure upon it exceeded life-size. Finally she seemed to beckon someone, candles lit, before the tableau vanished behind a rising veil. News of the Invisible Madonna caused the Prussian general to halt before invading Brittany- the Holy Roman Empire became Germanys Second Reich the next day. The ovular portal bore the shape of the Miraculous Medal (to which healings have been attributed) design shown to visionary Catherine Laboure circa 1830, which were first struck around the time of Carrolls 1832 birth.Revelations Christ promises, Behold, I stand at The Door, and Knock. If Pontmain was the Door, a Knock pun followed relatively soon. In 1879 at Knock (Gaelic for Hill), Ireland, a spectral statuary display appeared outside the south gable of St. John the Baptist Church: St. John the Evangelist himself made a suspended-animation appearance, wearing a bishops mitre, confirming the chess-piece theory (the bishop corresponds to Philadelphia, the loving brother, before whom is set an open door)- he and a reverent St. Joseph flanked a more prominent Mary, resplendent in white with a golden crown, posed as if making an offering- Christ was also present in the form of a sparkling Lamb standing atop an ornate phantom Altar before a large Cross. At first mistaken for a luminous religious display, it was eventually noticed the motionless figures were floating slightly above the ground. About 200 people saw this vision during an evening rainstorm- the images were intangible, yet the ground beneath them remained dry until they faded, leaving the site also dark. Due to notoriety of this event, the effects of an imminent local famine were mitigated.Major Marian apparitions from 1830 to the 1930s are examined, in a localized and more expansive context, encompassing presages of wars and other pivotal events. For instance, Laboures vision coincided with the riotous turmoil of a three-day revolution unseating Charles X, as post-Napoleonic restoration of the Bourbon regal line failed. Parallel prophecies by Nostradamus are revealed, involving the papal military and Napoleon III, coinciding with messages from Marian seers.From the preface where the likeliest respective dates for the Nativity and Crucifixion are derived as background material, through the stirring revolution-during-wartime story of Fatima, to the climactic expectation The First Twelve (The Historical Apocalypse) Part One: White Versus Red by Curtis Eagal
